I’ve named this piece ‘Beautifully chaotic headache hell’. Please enjoy. pic.twitter.com/DxwaJMzWVN
— Celeste barber (@celestebarber_) October 17, 2021
I’ve named this piece ‘Beautifully chaotic headache hell’. Please enjoy. pic.twitter.com/DxwaJMzWVN
— Celeste barber (@celestebarber_) October 17, 2021
I did not make it to shot her a photo but I will...
☼A machinima by Wizardoz Chrome (aka Alba Rocca) for IMMERSIVIA at Santorini Biennale 2016 from: Installation "THE SURREAL CUBE" ☼ Key contributors at Installation "THE SURREAL CUBE" Gem Preiz, Molly Bloom, Hyde Hackl, Mistero Hifeng, Moewe Winkler, Art Eames ☼Contributors at Installation "THE SURREAL CUBE" Cherry Manga, Venus Adored, Nexuno Thespian, Renn Yifu ☼Funded by an AIR grant by Linden Endowment for the Arts arranged by Juliette Surrealdreaming ☼ Editing of machinima by Wizardoz Chrome ☼ Soundtrack of machinima Brando Lupi - Egg Shaped "This will be My Monument: A Cube, A Museum, An Egg, A Thank you for All the Fish" Art Blue ►http://imgur.com/a/Yu5sN ►https://www.facebook.com/biennale.san... ►http://santorinibiennale.gr/2016/part... ►https://www.facebook.com/events/74681...
What will we say
9 December 2020
In her passionate and admirable discourse today on the commitment to protect oneself from contagion, Angela Merkel used at some point an ancient rhetorical formulation to which we are no longer accustomed. It is interesting, because the problem with solemn rhetorical formulas is that over time they lose meaning and become empty, even not tolerable. Instead, this is so out of our way of thinking, that it now sounds with an extraordinary and very concrete meaning, as if it had resurfaced from a distant memory.
It’s a wonderful, moving question. It sounds familiar, a rhetorical expression often heard, and yet we realize that we no longer hear it: we have often heard it in certain documentaries, perhaps, or in certain biographical films. In some history books, who knows. But no political leader or speaker says it anymore.
Because no one thinks about looking forward anymore, when you look back.
No one judges any more the nonsense, the volatility, the laziness, the whims, the sterility of each of our days, with the ability to detach and look at them from a distance. As we said yesterday, imagine judging the energies and the commitment and the stress spent this year, last year, in the last five years, six years ago, in the things we spent them on. Imagine someone coming from that time and asking us "was it worth it? was it really important? what did we get, then?". And who remembers, with all the Facebook posts we have to be indignant about every day.
Of course, good things happen and each of us has his own, private or public: and some may even be proud of it. But how are the days going by - the weeks, the months, the years - our politics, our public debate, our commitment, the history of this country that we have been accustomed to think of as progress so far? What are we building, what have we built? How long will it remain, what will it have grown? Does it concern us?
What will we say when we look back?
Nice sentence. Mark it, speechwriters.
http://maps.secondlife.com/secondlife/Ufeus/58/51/33
https://www.flickr.com/photos/157219304@N08/
Candid Portraiture
A Photographic Exhibit
August 7th - September 7th 2020
@ Art House KiiWik Sanctuary
"This is an exhibit of photography that is not posed. A few of the photos used a studio type setting. All used controlled lighting but even then ALL photos used an AV’s own AO to catch the motion and expression of the subject.
What is controlled in the initial photograph is...
What is controlled in the initial photograph is lighting. I chose the windlight setting for each set-up. I also adjust the “time of day” encouraging the shadow and amount of light on each face or image. Most if not all the photos were exterior photos, as when indoors the effects of windlight and time of day will not work.
I then export the more interesting photos into GIMP to edit. Though i’m still learning to edit photos if the original is crap, more than likely the finished product will be crap. Just look at my flikr feed for proof.
All of the photos in this exhibit have been edited in GIMP (free PhotoShop) They are all basic edits, with few effects. Exposure, Contrast, Brightness, Shadow, Saturation. Then a final adjustment in “curves”. Anyone can do this.
The key to Candid Photography is to be patient. You have to wait until the movement and light find the perfect intersection before you click. As most of you know, animations will cycle. If you miss the perfect shot, no worries, you just have to wait until it happens again. It will, just be patient.
I can’t tell you where or when the photos were taken.
have never charged for taking a photo. Each photo taken was immediately uploaded and GIVEN to the subject. I never accept payment for my work. There are so many great photographers in SL who make a living at it. I recommend them. I do this for myself and for my friends.
Every time I take a photo I make a note. if someone objects, I make a note to never shoot them again and delete the photos. I may also ban/block them, so i don’t make the mistake of shooting them again.
A year ago I did not have a clue how to do an SL photo. I was amazed at how easy it was. One person has helped me understand what is possible, FreeFlying Girl (Freja.) I owe what success I have achieved to her for teaching me the basics of GIMP.
Without Freja, none of this would be possible. Thank you. I now have the obligation to pay it forward, by offering to teach anyone what I have learned. On my time, I will be happy to show you the basics, open the door to you to discover the fun of capturing and editing images.
I welcome your feed back and suggestions. If you ever wish to learn. I would love to point you in the right direction.
Good Luck
SunriseSam
-Sam-
99 Complex Things Explained as Briefly as Possible https://t.co/9heddyrECH pic.twitter.com/qTY5Amj1VB
— Interesting Engineering (@IntEngineering) June 26, 2020
"Knowing is a privilege and the deepest discrimination is cultural. As Don Milani said, the master is master because he knows a thousand words, while the worker a hundred. Ignorance is subalternity, although unfortunately today the subalternity is almost claimed."
"But I believe - and I want to insist - that in Italy we must also think of other types of «poor», the oppressed of conscience, all people who live in a condition of moral anomy or material servitude […] It can be used as meat for slaughter not only for the conquest of a territory or the defense of a hypothetical frontier: it is treated as meat for slaughter, whether you like it or not, even in front of a trivial election booth."
"The gray area should be awakened and recovered to a left culture. But if this culture is dead and buried? All that remains is to wait for her to wake up alone, or for there to be small minorities who know how to turn to the less addicted and anesthetized within her. For example, to the youngest, and the «pedagogical project» of these few refractory and non-acceptant should be to snatch from the majority sleepwalking at least a part of their children and grandchildren. Obviously, thinking and studying, to propose an adequate idea of the world and the future, which means reconstructing a body of ideas of the left, which will happen only if you give up to please the mass and you will even agree to displease it for a long time. Indicating the true and the right, especially in Italy after thirty years of yields and corruptions of all kinds, will not be easy, and will not bring much «consent» for a long time."