1.. RECALCITRANTE CHILL ROOM (installation for dj use)
http://maps.secondlife.com/secondlife/The%20Globalconnection/173/50/3502
TEXT AFTER THE PHOTOS
MORE PHOTOS:
https://free-libbberamente.blogspot.com/2021/10/i-am-free-presents-quite-opening-of.html
What I want
to do with the
RECALCITRANT CHILL ROOM
I found an
answer in the sim (still under construction) of THE GLOBALCONNECTION that
allows me to expose my installations as they are ready, so on an ongoing basis.
as a result,
I plan to equip the installation with a space for Djs so that the installation
itself becomes a chill room attached to the sim
(which will
have a number of premises and which is designed precisely to encourage the work
of Djs)
hence the
name RECALCITRANTE CHILL ROOM accessible from the teleportation mat at the
entrance of the sim
THE NAME “RECALCITRANTE”
récalcitrant,
literally "kicking back" (17c.-18c.), from Late Latin recalcitrantem (nominative
recalcitrans), present participle of recalcitrare "to kick back" (of
horses), also "be inaccessible," in Late Latin "to be petulant
or disobedient;" from re- "back" (see re-) + Latin calcitrare
"to kick," from calx (genitive calcis) "heel" (see
calcaneus). Used from 1797 as a French word in English.
https://www.etymonline.com/word/recalcitrant
THE SECOND INSTALLATION
is called
"FREEDOM APOTHEOSIS"
and is a
mixture of dream and reality described below:
the theme
is always the journey,
constant in
the life of the artist:
the
movement
the change
the
exploration
emigration
until the
banal transfer
for work
reasons
in Second
Life she found another
dimension
to travel to
especially
walking on the streets
and driving
a locomotive on the
remarkable
heterocetera railroad.
impossible
buildings alternate with
perfect
reconstructions of reality,
approximations
are accompanied by
detailed
manifestations of maniacality.
everything
existing in the world, or that has existed, that has been thought, imagined,
filmed or sung in poetry
here finds its admirer who tries to produce it
to live in
or to show it
or to quote
or to decant it.
an orgy of
sensations and impressions
that enter
into dreams,
modify
dreams.
and then
the artist comes back to look for
the places
she saw in her dreams,
that there
are no more
or there
are and
maybe
they’re different
or they
never were there.
how to
know?
and then
she photograph the possible
and tries
to build the impossible...
and another
fragment of dream
adds to the
reality of second life
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